Terry is a small-time car dealer trying to leave his shady past behind and start a family. Martine is a beautiful model from Terry's old neighbourhood who knows that Terry is no angel. When Martine proposes a foolproof plan to rob a bank, Terry recognises the danger but realises this may be the opportunity of a lifetime. As the resourceful band of thieves burrows its way into a safe-deposit vault at a Lloyds Bank, they quickly realise that, besides millions in riches, the boxes also contain secrets that implicate everyone from London's most notorious underworld gangsters to powerful government figures, and even the Royal Family. Although the heist makes headlines throughout Britain for several days, a government gag order eventually brings all reporting of the case to an immediate halt.
| Writing | Dick Clement | Screenplay |
| Production | Mairi Bett | Producer |
| Production | Alan Glazer | Executive Producer |
| Production | Luigi Desole | Line Producer |
| Production | Charles Roven | Producer |
| Sound | J. Peter Robinson | Original Music Composer |
| Production | David Alper | Executive Producer |
| Production | Aaron Shuster | Producer |
| Art | Gavin Bocquet | Production Design |
| Writing | Ian La Frenais | Screenplay |
| Production | Matthew Street | Executive Producer |
| Production | George McIndoe | Executive Producer |
| Editing | John Gilbert | Editor |
| Production | Alex Gartner | Executive Producer |
| Costume & Make-Up | Odile Dicks-Mireaux | Costume Design |
| Production | Pete Ford | Line Producer |
| Production | Lucinda Syson | Casting |
| Production | David Whealy | Executive Producer |
| Production | Gary Hamilton | Executive Producer |
| Directing | Roger Donaldson | Director |
| Camera | Michael Coulter | Director of Photography |
| Production | Steven Chasman | Producer |
| Production | Scott Fischer | Executive Producer |
| Production | Ryan Kavanaugh | Executive Producer |
| Production | Christopher Mapp | Executive Producer |
| Costume & Make-Up | Marion Weise | Costume Supervisor |
| Crew | Graham Smith | Unit Publicist |
| Production | Sasha Harris | Production Manager |
| Art | Pippa Sheen | Art Department Coordinator |
| Crew | Marc van Buuren | Post Production Supervisor |
| Camera | Jack English | Still Photographer |
| Sound | Paul Pirola | Sound Re-Recording Mixer |
| Art | Mark Scruton | Set Decoration |
| Sound | Andrew Neil | Sound Re-Recording Mixer |
| Camera | Stuart Howell | Camera Operator |
| Directing | Sylvia Parker | Script Supervisor |
| Crew | Philip Ball | Stand In |
| Visual Effects | David Booth | Visual Effects Supervisor |
| Production | Giles Edleston | Location Manager |
| Art | Richard Selway | Assistant Art Director |
| Art | Mark Scruton | Art Direction |
| Visual Effects | Peter Webb | Visual Effects Supervisor |
| Lighting | Terry Edland | Gaffer |
| Sound | Simon Leadley | Music Editor |
| Crew | Brian Holmes | Special Effects Coordinator |
| Sound | Andrew Neil | Supervising Sound Effects Editor |
| Visual Effects | Ineke Majoor | Visual Effects Producer |
| Crew | Greg Powell | Stunt Coordinator |
| Camera | Chris Plevin | Camera Operator |
| Art | Phil Harvey | Supervising Art Director |
| Sound | James Harvey | Dialogue Editor |
| Costume & Make-Up | Jodie Hellingman | Hairdresser |
| Costume & Make-Up | Carla Vicenzino | Makeup Artist |
| Costume & Make-Up | Waldo Mason | Prosthetics |
| Costume & Make-Up | Heather Ross | Hair Supervisor |
| Costume & Make-Up | Sharon O'Brien | Key Hair Stylist |
| Costume & Make-Up | Helene Glover | Makeup & Hair Assistant |
| Costume & Make-Up | Donald McInnes | Key Hair Stylist |
| Costume & Make-Up | Laura McIntosh | Makeup Artist |
| Costume & Make-Up | Kirstin Chalmers | Hair Designer |
| Costume & Make-Up | Massimo Gattabrusi | Hairstylist |
| Costume & Make-Up | Heather Ross | Makeup Designer |
| Costume & Make-Up | Sharon O'Brien | Key Makeup Artist |
| Art | Robert Voysey | Construction Manager |
| Camera | Luke Myslowski | Grip |
| Sound | Steve Burgess | Sound Effects Editor |
| Sound | Kieran McVeigh | Assistant Sound Editor |
| Sound | Simon Bysshe | Boom Operator |
| Crew | Daniel Williams | Special Effects Technician |
| Art | Ben Collins | Standby Art Director |
| Lighting | Richard Mason | Electrician |
| Camera | Peter Myslowski | Key Grip |
| Sound | Simon Hayes | Production Sound Mixer |
| Art | Malcolm Roberts | Construction Manager |
| Camera | Karl von Moller | Director of Photography |
| Costume & Make-Up | Anthony Brookman | Costume Assistant |
| Sound | Bruce Emery | Dolby Consultant |
| Sound | Blair Slater | Foley Editor |
| Directing | Brendan Campbell | First Assistant Director |
| Directing | Matthew Baker | First Assistant Director |
| Directing | Luigi Spoletini | First Assistant Director |
| Sound | Alan Freedman | ADR Mixer |
| Art | Wilson Du | Draughtsman |
| Art | Nick Pelham | Storyboard Artist |
| Sound | John McKerrow | Sound Recordist |
| Camera | Martin Hume | Camera Operator |
| Camera | John Ferguson | First Assistant "B" Camera |
| Directing | Josh Robertson | First Assistant Director |
| Camera | Andrew Jerram | First Assistant Camera |
| Sound | Peter Gleaves | ADR Mixer |
| Crew | Neil Toddy Todd | Special Effects Technician |
| Art | Louise Begbie | Art Department Assistant |
| Art | Amelia Marasco | Set Dresser |
| Costume & Make-Up | Sharon Long | Assistant Costume Designer |
| Production | Kate Ringsell | Casting Assistant |
| Sound | Robin Johnson | Boom Operator |
| Art | Paul Hearn | Props |
| Directing | Lee Grumett | First Assistant Director |
| Sound | Rachael Tate | ADR Recordist |
| Sound | Jonathan Rimas | ADR Mixer |
| Sound | Peter Mills | Sound Effects Editor |
| Art | Nick Turnbull | Property Master |
| Lighting | Tony Hayes | Rigging Gaffer |
| Sound | Lionel Strutt | ADR Coordinator |
| Visual Effects | Paul Buckley | Lead Animator |
| Camera | Ray Meere | Second Assistant "B" Camera |
| Camera | Mike Brewster | Second Unit Director of Photography |
| Costume & Make-Up | Yvonne Otzen | Costume Assistant |
| Art | Hannah Read | Art Department Assistant |
| Art | Laura Dishington | Graphic Designer |
| Camera | Tim Wooster | Camera Operator |
| Camera | Julian Bucknall | First Assistant "A" Camera |
| Camera | Luke Coulter | Second Assistant "A" Camera |
| Camera | Chas Bain | Camera Operator |
| Costume & Make-Up | Julie Barton | Costumer |
| Sound | Mario Vaccaro | Foley Artist |
| Production | Celia Barnett | Researcher |
| Editing | Justin Heitman | Digital Intermediate Colorist |
| Production | Tracey Taylor | Assistant Accountant |
| Editing | Ruth Coulson | First Assistant Editor |
| Writing | Mark Thomas | Script Editor |
| Production | Hollie Foster | Assistant Production Coordinator |
| Directing | Susie Struth | Script Supervisor |
| Production | Daniel Budd | First Assistant Accountant |
| Production | Peter Block | Production Executive |
| Editing | Nic Smith | Digital Intermediate |
| Editing | George Awburn | Online Editor |
| Production | Polly Jefferies | Production Coordinator |
| Crew | Kate Brontë-Stewart | Floor Runner |
| Sound | Edward Rogers | Music Programmer |
| Crew | Scott Warwick | Armorer |
| Editing | Tony Poriazis | Digital Intermediate |
| Sound | Kim Green | Music Consultant |
| Directing | Polly Hope | Script Supervisor |
| Production | Natalia Pizzey | Production Coordinator |
| Art | Nathan Bayliss | Title Designer |
| Crew | Nick Jeffries | Armorer |
| Editing | Amelia Ford | First Assistant Editor |
